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Topless in Orange.
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The only effects were lights, usually green, occasionally purple, offset by the insistent orange power dots of the amplifiers, and this time we were blessed with no projections. The rhythm progresses at what might politely be termed a steady pace, but this did not deter a desperately manic moshing front and centre; though Melachi reflects that moshing to Sleep resembles moshing to Gregorian chant, for sure it can be done, but why would one want to?
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